the true nature of things.

 © 2003-2014 Matthew McCarthy

At its core all two-dimensional image making is about juxtaposing one value against another. We perceive the visual world by decoding and interpreting a series of darks and lights. In attempting to replicate how we see the world the ‘idea’ of what a thing is can hinder ones ability to represent it accurately. For instance, consider an apple. If I wish to create an illusionistic depiction of an apple I must forget it is an apple. As far as the depiction is concerned, it is nothing more than changing and juxtaposed values (and if in color juxtaposed intense, dull, warm, and cool colors). Once this is understood, no subject is more difficult than another in terms of replication. Unfortunately, accurate representation does not alone make an image art. If we are to call something art it must capture the essence, the true nature, of a thing. A realistic depiction, or highly realistic depiction for that matter, while it may require a certain amount of labor, is easy to create compared to the creation of a picture that captures something of the subject’s being. A painting does not need to be illusionistic to do this. In fact, in some ways, it is easier to do when one is not overly concerned with accuracy.

When viewing a technically accurate portrait one may say, ” it looks just like him.” When viewing a portrait that is art one says, “that is him!” The skill of a technician, is to copy. The skill of an artist is to interpret and in order to do so, the artist must first understand something of their subject. They must see beneath the surface. They must bring many moments together into a solitary image. Technical skill can be taught. Artistic sensitivity to a subject cannot. It can only be fostered. In order to develop this one must know themselves. They must be able to quiet their mind and connect with their subject as an equal. If the artist views their subject as a thing separate from themselves they will never learn the truth that must be communicated in their work. Technical ability is useful. It is the vocabulary that allows the artist to tell the story. However, the temptation to create a slick image can easily distract the artist from the more important task of making a statement about their subject.